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Steven Morgan's avatar

Hey Friends, I took up the scriptorium challenge of writing my own review, which I did a couple months ago upon completing the book. Here ye are...

This was my third attempt at Chesterton. I say "attempt" because the first, at Orthodoxy, failed: his whimsical and playful style hit me as too cutesy. My second attempt, at his biography of Assisi, succeeded, marvelously so. Here was a biography that wasn't just a collection of foot-noted facts (I find footnotes both imperious and aesthetically disgusting), but one authorial subject trying to get in the mind and heart of another soul by that rarest of scholarly vehicles: imagination. Gone was the need to forensically cover all the bases of Assisi's life lived in objective spacetime, presenting instead a glowing portrait of the insides of a man lit up by God. Chesterton's biography, or rather sketch, of Assisi made me realize how unrealized the potential is for a non-fiction writer to understand another human being through love rather than analysis. I felt the whole time like I was reading a dream.

So I came to The Everlasting Man with a 1-1 scorecard, and man did I love this book. Stylistically, it couldn't have been more beautiful, but really his skill at persuasion is both unmatched and recalling of an age when "kill your darlings" was yet to rid the world of bloviations because bloviating was still inseparable from the responsibility to make your case thoroughly. Talking about tough things requires a lot of words, actually, not just the presentation of clarified essences (for which creeds suffice, not as reductionistic idiocies, but rather as David Bentley Hart has argued, bounds that make possible the flourishing of particular ideas, much like a hedgerow makes possible a field). Chesterton makes his case for Christianity in broad strokes, never getting lost in the weeds; his appraisal of the mythological impulse as a "drawing" rather than philosophy's "diagram," and his insistence that only in Christianity do both come together, means that he doesn't have to waste words arguing point-by-point the rationalist's objections to the more mysterious truth claims Christians make (a drawing, unlike a diagram, needs no defense; both coming together means that the rational element will always be loose-fitting). And how refreshing! Apologetics, if that is what The Everlasting Man is, ought to ring the heart as much as soothe the mind. How else can one learn to live inside a story instead of an equation but by being touched in some felt place where the assemblage of explanatory facts about the world is drained out by a needy narrative thrust? I find so much Catholic writing to be fussy, stodgy, cerebral, polished rather than grimed---when grime is exactly what you get when you read the Gospel naked, let alone try to harmonize its four parts, let alone with the epistles. Jesus, in my amateur view, cannot be cleaned up and explained; he must be messed with. And so I love me an apologist, especially a Catholic (my ancestry) who seems to have no need to breakdown mystery into constituent parts; as much I learn when reading the catechesis of the Catholic Church, it'll never stop being lawerly.

Chesterton's apologetics seem to turn on one argument: Christianity is true because it is like life. "We are Christians and Catholics not because we worship a key, but because we have passed a door; and felt the wind that is the trumpet of liberty blow over the land of the living." For what it's worth, I actually involuntarily uttered "Good God" out loud when reading that passage, which concludes the richest chapter of the book; and one I'll return to again and again, especially as I stare down the weariness and doubt that frequent me.

Now I've been fortunate that the so-called problem of evil, of which the most ink has been spilled over the past two millenia, has never haunted me in the middle of the night. Because if it does come to haunt, it is a problem indeed. Many have left, and continue to leave, the faith over it. After all, how can a Good God allow evil? Good luck finding a satiating response. Merely calling evil a "privation of the good," as Augustine famously did, rather than a thing in itself just kicks the question one layer back: How can a Good God allow the privation of Good? Answering, "Freedom, that's why," again begs the question, How can a Good God allow freedom to be such that it involves the privation of the Good? And so on, ad infinitum. What I gather from Chesterton, and what's increasingly occupying my worldview, is that Christianity can't satisfy these questions with logical proofs. The answer to "How can a Good God allow evil?" is not found in a rational response, but in a story. That the story of the Fall makes no sense in crude physicalist spacetime is irrelevant. The Fall is theologically true; it's the revelation that gives us a picture of what's happening with good and evil right up to the limits of our ability to know. In other words, the story of the Fall is as good as it gets by way of explanation for the presence of evil. All other inquiry will just end in more spilled ink. The good news: Christ, the second Adam, wrote in his blood the sequel. And his resurrection is as good as it gets by way of explanation for the presence of good. So that's what we got: a story with a beginning, middle, and end; take it or leave it, those of us living in the unfinished epilogue.

Chesterton illustrates this singularly linear storyline by noting that many other religions exist and represent themselves as a circle, denoting cycles upon cycles; creation and destruction being an endless loop that never resolves. But Christianity has as its central motif a cross, which is emphatically not a circle, but a split. This notion of Christ as being a decisive point in history that one must either give a "Yes" or "No" to, that Christ cannot be absorbed into other meta-frameworks (though the reverse of other meta-frameworks being fit into Christ is true) has been one of the largest stumbling blocks to me in my walk back to faith in Him. Chesterton speaks against a trend of his time that's well-alive today, and that is something like perennialism (though he doesn't name it that), the notion that all or most religious paths aim at the same God but with different ladders. I'm still confused where I stand on this matter---and I'm not sure I have to take a stand on it---but I do appreciate Chesterton's rightful rendering of scripture that it really isn't making room for a million plus ways to God, and that Christ can't be on par with other spiritual masters without his foundational claims being diluted. In that sense, the cross is truly a crossroads: once you go all-in on walking the beam, there's no looping back, and the place you're heading is not accessible by other means. I will offer, however, the pendant I wear around my neck as a possible integration: I wear a Celtic Cross, meaning a circle exists at the heart where the two axis of the cross meet. You get the decisive ends of the beams but the reality of cyclical life (Ages unto Ages) too. Still, the circle on a Celtic Cross is held within the larger vertical and horizontal axis of the cross; and that must be deliberate. In fact, if I squint hard enough, I might even see in this image that the circle is the seed, and blooming out its round body are two elements of a tree: a horizontal branch to make nest upon, and a vertical trunk that reaches deep into the soil so that one may climb above the circle in the one direction that terminates in the heavens, high above.

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William cordasco's avatar

I think one of the best parts of TEM is the passage where GKC describes the paradox of the infant Christ in the manger helpless below the lowing heads of the livestock He created. That one brought this reader to tears.

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